IF I WERE A GIRL : CELINE, and why it matters again.

follow me here.

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there is a designer named phoebe philo.

she used to design under stella mccartney (yes, THAT mccartney)

at a label called chloe.

big success.  launched stella into her own line.

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then phoebe took over and a funny thing happened.

chloe got even better.

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then one thing led to another, she left to raise her child.

women mourned.

who would make the cool, but goes with everything clothing they loved.

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now, phoebe is back,

at a label called celine (CHUH-LEAN).

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and in her first collection, she nailed every spring trend,

and made it work in a way women will want to wear,

not just look at on blogs.

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this is your label to understand spring,

this is what I would buy from celine

were i a girl:

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this opening look combines leather, black (the spring secondary color), short, minimal.

it's a home run.

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no, she (i) won't wear it like this.

but the white shirt is timeless and amazing,

and the skirt is too cool (leather trim.  sigh.)

worn with a tee, it's perfect.

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the lacquered black mattelasse (dimensional pattern) coat

will last until you wear it out.

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same with the dress.

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a little fashion forward,

but every woman wants a piece in their wardrobe

that makes their girlfriends go

"damn. that's cool. and she pulls it off."

guys should learn from this.

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and, done.

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guys,

learn from this the following things:

1) black and white and beige are best when teamed with unexpected texture, color, or silhouette.

2) one strange piece sets the others in your closet into contrast, and elevates opinion of you.

3) phoebe philo is fun to say out loud.

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IF I WERE A GIRL : shut up, you know what i mean . . .

not to belabor an obvious fact,

but paris fashion week just wrapped up,

and my inner fashion whore kind of went rampant this season.

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often i have bemoaned the fact that men's fashion is so torpid and stale,

and tim has thanked god that i'm not a woman,

(for obvious reasons, yes),

because the budget for shoes alone would screw us in a month.

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looking at spring was fascinating though.

you saw designers struggling across a spectrum on how to SELL,

and how to EXPRESS.

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but sticking with the point of this blog,

here's what we can learn from women:

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1) stick to the neutrals this spring.

the runways were awash with neutral colors, with more beige than a sandstorm,

and with black used as an "accent" more than as a statement.

and when it wasn't beige, it was gray.

retailers are going to struggle with this, as sales floors will look horrid in a wave of beige,

even if it is on trend.

look for "new neutrals" in every editorial spread.

dread it.

but wear it.

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2)  the classics made a comeback.

chanel was hugely youthful and inspirational.

ysl carved out modernism and pushed forward.

phoebe philo was back at celine, and nailed it.

the old guard proved why they are timeless.

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3) lindsay lohan is not a designer.

enough said.

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4) for women, short is the new long.  still.

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5) on the beauty front, natural looking makeup is IN.  eyebrows are OUT.

i have no idea.  you figure that one out on your own.

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6) the label to name drop if you want to appear in the know,

or at least turn a woman's head,

is BALMAIN.

think dusty military looks with chain mail accents,

everything skin tight, battered, and sexy.

from there, it's GIVENCHY,

for black and white, geometric prints, and sophisticated draping.

bu for the truly elite,

it's still LANVIN.

with a show that pushed the most beautiful dresses and accessories

into another stratosphere with beading, beading, and color.

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the next few days, i'm shopping the girl's side of the aisle,

to keep you and your eye on guard

for when your girlfriend sits down and expects a compliment this spring.

some tips on dressing for yourself (margiela, panerai, hermes. . . it's not cheap, kids) -

i'm probably as sick as you are with all the "self-help" guru crap out there for men.

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seriously, who gives a fuck about how to tie a windsor knot

(i can google that, thank you.)

or whether denim is officially "over"

(yes.  but not dead.)

or why men CAN use a face cream and still be men

(someone shoot me.  or ryan seacrest.)

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how about we just have some fun with this,

and not be afraid.

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for instance,

i dress for myself

(obvious, landis)

and here's what i'm licking up these days:

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this martin margiela cardigan.  the ONLY sweater i need this fall.

i have a navy one from last year, it's flawless, 

part blazer, all knit,

compliment magnet,

thoughtless fashion.

the pants rock too.

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someday if i make crazy cash

(that i don't sink into investments, property, or stupidly expensive sweaters)

i will buy this limited edition panerai.

the "california" dial speaks to me.

it says

"your life is less without me".

i never said fashion was kind.

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anything hermes.

they are having a moment again in menswear.

watch for the resurgence.

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alright, this scarf, losange, in particular.

i wouldn't call it a steal.

but it would complete me.

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coveting the attitude of this guy in richard haines' sketch.

though richard is a friend,

he has yet to send me this attitude.

pity.

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this delicious lanvin suit.

i have no place to wear such a colored suit.

but for this suit,

i will create an event.

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see?

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wasn't that more fun than reading about why you should wear stripes this fall?

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you are welcome.

what we can learn from women - anna della russo

this is an "icons of style" post in the making,

but anna is first, in a field where fashion is critical to her survival.

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not husband hunting.

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not envy-inducing.

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she is the fashion director of Vogue Nippon, 

and they take their fashion deadly seriously.

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still,

we can learn from her that a fearless approach to fashion,

that wearing what one loves

(here's the key with anna)

WHEN

one wants to wear it . . .

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well darlings, that makes all the difference in the world.

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(bright red lanvin coctail dress, mid-day, paris fashion week.)

florals? for spring? shocker.

while florals for spring 

are as predictable as a magazine cover stating:

WHITE IS BACK,

what's happened in menswear with florals for next spring is rather interesting:

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now, granted, 

these are martin margiela and alexis mabille,

but the addition of crochet to leather or sneakers,

and lace cut out of cloth and left raw,

somehow,

somehow,

makes florals seem tenable again.

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of course you didn't believe me about legging under shorts, 

and look where that left you on the sartorial "know how" scale.

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DU JOUR -

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we should seek to age with grace, 

our style appropriate but youthful,

and our vices firmly intact.

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underfoot, fabien baron -

design in a man's life should be omnipresent.

every detail counts.

so while we often explore clothing here,

we're going to talk about rugs now.

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fabien baron is a legendary graphic designer.

calvin klein ads?

him

perfume bottles?

him

Bazaar magazine under liz tilberis?

him

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so when he designs rugs, 

you have to expect that perfect blend of minimal flourish,

maximum impact,

and sensitive color palette.

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the gradations are achieved from gradual addition or subtraction of hundreds of tones,

not dyeing.

stunning.

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we have only been able to afford one great rug in our home,

but it makes all the difference in the world.

it somehow adds motion and life to an otherwise calm collection of furnishings:

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behind the scenes at Lanvin -

from "the selby",

a great site where a photographer gets to glimpse inside fashion cognocenti's homes,

the lanvin men's studios:

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i love the spool of grosgrain ribbon

(a lanvin signature trim)

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the wall of shoes makes me a little light headed every time i see it.

men need to love their shoes like this more.

it's one of the few forms of expression we are truly allowed.

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lucas always looks so composed and disheveled.

that is an art.

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the last trainers are ridiculous.

i would not wear them.

i would FRAME them.

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THIS NOT THAT : hermes men's spring 10

what i would buy from hermes for spring:

(since you asked)

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the new belt

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belts don't normally do it for me.  this one did.

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the sheer scarf, and the boatneck sweater.

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while there will be interpretations of this out there,

there will not be the quality or attention to detail and texture.

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the pale leather trench.

you know.  for those nights that call for a pale leather trench.

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the printed short short.

because it's an hermes print.  

and i have killer legs.

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the oddly cut, crotch enhancing trouser.

don't know what veronique is doing to her pantaloons,

but it's working for me.

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DU JOUR : birthday edition

i was born this date, 

the day the men landed on the moon.

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beautiful work by paul lee,

graphic designer.

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sings to me.

THIS NOT THAT : julius men's spring 10

while i often wax rhapsodic about the more experimental designers,

this shopping trip will show you,

even the edgiest

are wearable.

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from julius' eye popping runway:

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this vest.

perfect with dark, slim denim, a workboot, aviators.

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this leather jacket.

if i have to explain how to wear a leather jacket,

you really should be on another site.

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these pants/leggings.

while not lohan myself,

with a navy shirt, a camel blazer, and hightops, 

modern and soooo comfortable.

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this jacket.

and the crown.

i'm not explaining the crown.

it's personal.

(a steel and pearl crown!)

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DU JOUR : a daily dose of beauty and inspiration

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great book covers 

are great inspiration.

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DU JOUR : a daily dose of beauty and inspiration

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sometimes,

a concept car

is more than a concept.

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sometimes it sets the mind racing along the lines of:

what would the sight through green glass be like?

how would the car sound?

how would this FEEL under my touch?

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DU JOUR : a daily dose of beauty and inspiration

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subversion :

sometimes we need to see the familiar

through a different lens

to fully appreciate it's power.

and it's potential.

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